The frost has been back again, giving us some chilly but sparkling mornings. I’ve been grateful to see it because we’ve reached the stage of the year when there are few flowers or plants left to photograph.
Stalking around the garden, camera in hand, I’m usually on the lookout for images that are only made possible because of the frost: veins on a leaf picked out in white, petal edges encrusted as if they’ve been dipped in sugar, or tiny crystals of ice building up on frozen plant surfaces.
The shady areas of the garden retain the most frost, and that shade can give a slightly blue tint to the white, which creates an even colder appearance. The lack of light makes it hard to get much depth of field in the photographs, even at fairly high ISO values. (I could use my tripod, but it’s much too cold to stand around for long and my feet feel warmer if I keep moving around.)
As the sunlight gradually starts to seep into the garden, I look for places where the frost has begun to sparkle in the sun. There won’t be much time before the frost begins to disappear as it warms up. This means I have to work quickly to capture the images that have attracted my eye.
Eventually I’m either too cold to stay out any longer or the frost has started to melt and drip off the wet plants. So it’s time to head indoors, first wrapping my camera in a large plastic bag to protect it from getting covered in condensation in the warmer air. (Outside, it’s all to easy to let the viewfinder get steamed up by my own breath – a frustrating interruption to taking the photographs!)
Once indoors, it’s time for a well-earned mug of coffee and a chance to get warm again while looking to see what new photographs I have. Frosty mornings can be productive and very satisfying!
It doesn’t get very cold in this part of Suffolk in Autumn, so the leaves tend to get blown away before they have a chance to develop much colour. (Yet a few miles away, where it gets chillier, there have been great clouds of yellow leaves.)
However, in the last couple of weeks, the night-time temperature has got cold enough to encourage a bit of colour here and there. You have to look quite hard for it, but it can be found.
Our recent frost helped to make the last of the leaves more interesting to photograph, providing a crisp, icy contrast to the warm tones of the leaves. It was a good time to be out early to take some pictures.
While I was wandering around with my camera, I noticed soft noises that at first sounded as if there were birds hopping around nearby.
But when I looked up, I realised that I was hearing the leaves falling in the neighbours’ garden. It gets the sun before ours does, and as the frost melted, the leaf-stalks were losing their last grip on the trees and shrubs and dropping softly to the ground. Somehow, the tiny sounds made the morning feel even more hushed and peaceful.
The leaves will soon be gone and everything will seem bare and wintry. But, just for this last little while, these few are rich and glowing with beautiful warm tones – a sight to seek out and enjoy.
By the time you read this, we will have had another frosty morning here. More of the leaves will have fallen and I will have been out taking more photographs.
On Monday we had the first frost of the year. Up until then, the weather had been mild and wet, so it felt as if it had come suddenly. There were still a few flowers in the garden, lasting much later than you might expect. And, of course, they were caught by the frost.
As you may imagine, this meant that I had a busy morning padding about the frozen garden with camera in hand.
Now that the plants are beginning to die back for winter, there’s not much left to photograph, so the intricate effects of frost give an opportunity that’s too good to miss. I took as many photographs as I could before the sun melted it all away. (And there will be more in later posts…)
The echinacea flower (PowWow White) was frozen through, and this has enhanced the green tinge to the ends of the petals. The emerging flowers start off pale green, with a vivid green cone, gradually maturing to a white flower with a golden-yellow cone.
This colour-change makes for more photographic potential. The plant is a new addition to the garden and I’m looking forward to following its progress with my camera during the next year.
The passionflower is ‘Constance Elliot’, which I wrote about here. It was planted just last year and has flowered well during the late summer. The bud seems to have escaped any serious damage from the frost and the plant’s leaves are still firm and healthy-looking, so I reckon it hasn’t come to any harm. Even so, as it gets colder, I’ll protect the base of the plant with either mulch or frost-fleece.
If the winter gets really cold, I may also put fleece around the penstemons. I’ve lost a few of these in cold winters, but some varieties have gone on for years – especially ‘Garnet’, which seems to be hardier than most. (Pictured is ‘Raven’, which came through last year’s fairly mild winter easily. I hope it turns out to be thoroughly hardy too.)
The rose below is a tough old girl who doesn’t let anything bother her…’Zephirine Drouhin’, a rose that is both delightfully scented and thornless. This is probably my favourite plant in the whole garden. I’m glad that she doesn’t mind the frost!
The weather in the past week has been rainy, so not much good for gardening. But it has been ideal for a bit of ‘armchair gardening’. I’ve been thinking about the planting for a new area and imagining which plants might look good there.
Elsewhere in the garden there are a lot of deep or bright colours. I’d like to keep this new patch a bit softer and fairly informal. (Having lighter colours towards the back of the garden can give an effect of receding distance, making the garden look slightly bigger.)
Recently, I bought a white-flowered hibiscus, called ‘Red Heart’ because it has a bold red marking at the centre of its flowers. This was originally meant to go in the border alongside the new pond but, as I’ve been planting that area up, I’ve realised that there won’t be space for it.
Instead, I’m going to dig out a new border behind our main sitting-out area. (This is a tiny paved space with a wrought-iron arbour which is smothered by a grape vine at one end, and a more open seating place at the other.)
Because it’s an area for sitting around and taking it easy, I’d like to keep the planting looking relaxed and soothing. Somewhere that will help you to let all the stresses of the day ebb away. Whites, to pick up on the white hibiscus, and pale pinks are the most likely choices at the moment.
We already have a white-barked birch tree nearby, and I’m planning to move some pale pink Japanese anemones to another border behind the new area. (The anemones are beautiful thugs, so they’re getting a border of their own where they can run riot.)
Sidalcea, astrantia and erigeron (Mexican fleabane) grow in the garden here, so it should be easy to introduce them to the new area too. And we have lots of dark red scabious – a few of those would help to emphasise the similarly-coloured red markings on the hibiscus.
Among the plants waiting to be found homes in the garden here are several white and pink rock roses (Cistus) and they would be likely to enjoy the sun in this border. So the planned area is beginning to look very pink and white, especially if I also add a pale rose like the one in the photo. (Don’t know its name.)
And maybe there should be some acanthus too – it has similar vein-markings to the astrantia and the ‘architectural’ form of the plant would be very striking. But that spiky look might not be so relaxing to look at! (Acanthus is a plant you need to be very sure about wanting, because it’s very hard to get rid of and can grow from little pieces of left-over root.)
The plan for this new area may be getting a little too pink, so some other pale colours could be added. I love the happy little daisies of the anthemis above. They’re like a sprawling splash of sunshine in the border and have a very informal look. Nigella also has that relaxed feel about it and would be delightful to see close-up. (The area behind the seating is a little higher, with a low retaining-wall because our garden is on a slight slope.)
Fantasy-gardening and planning new planting is a very pleasant way to spend wet days. But maybe the best thing about it is that it gets the enthusiasm going for starting the work. The rain is over for now and the forecast for the next week is mostly dry, so it looks like I have some digging to do…
November has brought chilly winds and the threat of frost. It’s not quite winter yet but the garden flowers are disappearing fast. Soon the main colour will be the yellow of the autumn leaves.
But for a few days yet, there is a little bit of colour here and there. Just enough to enjoy while I finish planting the spring bulbs.
Some plants have flowered for a surprisingly long period. The gaura (above) has been in flower for months, as has the pink-flowered salvia below.
The deep purple penstemon ‘Raven’ is another plant that has fully earned its place in the garden by flowering for a long time. A weeping crab apple called ‘Royal Beauty’ grows nearby, and the rich red of its tiny fruits picks up on the slight touch of red at the mouth of the penstemon flowers.
The fuchsia is one of several plants that are in pots at the front of our house. I think this one is ‘Army Nurse’, but I can’t be sure because we have several that are very similar to each other. It’s one of the hardy fuchsias and I’m planning to plant it (and some others) out in a border in the back garden. They’ll be visible from the house and give a splash of glowing colour right through the autumn.
My last flower is the autumn crocus. The bulbs are growing in small clay pots sitting in a wrought-iron holder on the wall. (This keeps them well out of the way of my cats – autumn crocuses are very toxic plants so I didn’t want to take any risks with them.) These flowers should have been over by now but I planted them late, so here they are at last!
Now I must remember that I still have to finish planting some spring bulbs…then I’ll be hoping to find something more to photograph. Maybe some of the late colour will hang around for long enough to get frosted. Not very kind to the plant but makes a great picture!
Lacy, dainty flowers held on stems that curve inwards into a concave shape, both when the flowers are just opening and later, when the seeds are forming – this is the wild carrot (Daucus carota).
If you live in the USA, you may know this flower as ‘Queen Anne’s lace’, but in the UK we also call it ‘bishop’s lace’ or ‘bird’s nest’. (You can see why, from the photo above.) Just to add to the name confusion, Queen Anne’s Lace is a name also used for an entirely different plant in the UK (Anthriscus sylvestris, aka cow parsley).
Whatever name you know it by, the wild carrot, in its white-flowered form, is often seen growing along the edges of roads and fields. In recent years, new pink and burgundy-flowered cultivars have been developed and the plant has become popular in gardens.
Here I grow it for the light, airy feel that it adds to garden borders. I’m also growing it to photograph. There’s plenty to inspire me: delicate umbels of tiny flowers contrasting with the almost spiky-looking bracts below them, colours ranging from palest pinks to deep, dark reds, and that distinctive ‘bird’s nest’ shape.
Photographing the flowers in the garden can be a bit tricky. The large, lightweight flower heads tend to move in the slightest breeze, so getting a reasonably sharp photograph can take a lot of patience! They’re worth the effort though, and I know that I’ll go back to them again and again for more photographs.
Next year, when I hope to have a larger number of the flowers in the garden, I will cut some and bring them indoors to photograph in the studio. No breezes there! (Apparently they make a good cut flower, lasting well if you sear the stem ends in boiling water for a few seconds.)
Right now, the seeds of these plants are ready to gather. So I will collect them – some to sow now and some to sow next spring – in the hope of having lots more of this delightful plant.
This year I’ve been trying to extend the flowering season in my garden a little. So I’ve planted echinaceas, heleniums, rudbekias and asters, which helped to keep the garden going through the transition into autumn.
But I’ve been missing out on one of the best flowers for this time of year – the dahlia.
As a newcomer to dahlias, I find the choice of flowers quite bewildering. There are so many different types to get to know…cactus, semi-cactus, ball, pom-poms, anemone-flowered and more.
So far, I’ve decided that I like the peony-flowered and single dahlias the most because they have open centres (great for bees). The collarette dahlias are really interesting to photograph because they have two rings of petals – the large outer petals and a sweet little ring of twirly mini-petals around the central disc. (You can see one in the top-left corner of the photo-mosaic below.)
So far I’ve just planted two dahlias here. One is ‘Siberia’, a white, waterlily-flowered dahlia which you can also see in the mosaic below. The other is a seedling of ‘Bishop’s Children’ which has flowered in a rich bright red. That’s a small start, but next year I’ll be on the lookout for more.
As usual, one of the biggest factors in my plant choices will be finding flowers that will make good photographs. Dahlias have a huge range of colours and shapes, so choosing will probably take some time.
For photography, I often look for flowers that have one colour with another blushed over them, or a different colour along the edges of petals, because it gives an interesting element to the photograph.
Shapes within the flower are important when photographing it too. Elegant curves, contrast of size and shape and interesting small details are all essential parts of a satisfying flower image.
I can foresee a slight snag with my new interest in dahlias. It’s going to be hard to restrict myself to the plants I actually have room for! Well, that will be a problem for next year. This year I must get on and improve the soil in the borders for them. And I’ll start working on my dahlia ‘to buy’ list, while dreaming about the wonderfully rich colours that they will bring to my garden…
This post is a follow-up to last week’s ‘Late Summer Colour’. In it, I mentioned that I’d seen several especially striking orange flowers during my visit to Fullers Mill Garden and that I’d save them for their own post.
I’ve also included a couple of flowers from my own garden. The first is Tithonia rotundifolia ‘Torch’, which is so brilliant in the sunshine that the colours almost shimmer. And the other is the vibrant red-orange echinacea in the final photo. (I couldn’t resist buying this one, as a change from the pink echinaceas that I’ve grown in the past.)
So, back to the flowers at Fullers Mill… Crocosmia ‘Emily McKenzie’ was particularly showy, with larger flowers than any of the other crocosmias that I’ve seen before. The richness of the orange, with the deep red markings and the glow from the light shining through the crocosmia’s petals made me think of a sumptuous silk.
Near the crocosmias were the bold flowers of red hot pokers (kniphofias), looking like fizzing orange rockets spurting up from the ground. (Which makes me wonder if it would be possible to plant a border to suggest fireworks. That could be fun!)
A little calmer than the dazzling oranges of the crocosmias and kniphofias were the bi-coloured flowers of the heleniums. The helenium is certainly less flamboyant than the others. Even so, the golden-yellow and reddish-orange of its petals are vibrant, and they have a warmth that is typical of many of our late summer flowers.
Earlier in the summer the gardens in this area had a lot of the cooler colours in them – reds and pinks that contain some purple, magenta, lavender, blue and white. (We probably choose these colours because we want to create a suggestion of coolness to offset hot temperatures.)
But now, as the season gets closer to its end and the temperatures have dropped, the late-summer flowers are creating a feeling of warmth through their hot colours. (Which are enhanced by the warmer light towards the end of the day.) So these radiant orange flowers help us to hang on to the idea of summer for a bit longer – and I hope they continue to do so for a good while yet!
This year I haven’t had a lot of time to visit gardens, but I did manage to visit one of my favourites this week.
Last year I wrote a post about a visit to Fullers Mill Garden near Bury St Edmunds, in Suffolk. This year, my visit was slightly earlier and there were more plants still in flower.
Visiting a garden at different times is interesting because you notice different plants. And, for me, that means the chance to photograph them too.
This time, there were lilies still in flower, so I made a point of photographing some of those – also flowers I don’t see so often, such as eucomis and alstroemeria. There were plenty of the usual seasonal favourites: Japanese anemones, asters, dahlias, autumn crocuses, rudbekias, hydrangeas and hibiscus.
It was a bit of a surprise to find flowers that had long gone over in my own garden – things like indigofera, agapanthus and astrantia. Maybe having more moisture in the soil means that flowers can last for longer.
There were plenty of bright colours still, the most noticeable being the oranges of crocosmia, heleniums and ‘red-hot pokers’ (kniphofia). They’ll get a post all of their own soon.
Fullers Mill is an exciting garden for a photographer to visit because of the sheer variety of plants and the lovely setting of the garden itself. I particularly enjoyed having the opportunity to photograph the almost sculptural-looking seed pods of the eucomis. It’s a plant I rarely see, but now I feel it would be fun to have in my own garden so that I can take more photographs of it.
It was quite a windy day when we visited, so it was a challenge to photograph some of the flowers that tended to sway and dance in the breeze. The yellow helenium (above) was on of those that didn’t want to sit still and its petals look like swirling skirts – a dancer indeed!
Next year, I’d like to visit the garden in different seasons, especially in springtime. There is a great collection of irises which I’m sure would keep me happily occupied for a long time. But any time would be a good time to visit Fullers Mill Garden – there’s always something interesting to see and to photograph.
Last year I wrote a post about passionflowers and said that I’d just planted the passionflower ‘Constance Elliot’ in the garden. I’m happy to tell you that it has come into flower for the first time. Hooray!
The flowers are smaller than those on the other two passionflowers I grow (‘caerulea’ and ‘Amethyst’) but that may be because the soil where it’s growing isn’t exactly wonderful. Luckily, passionflowers are drought-resistant, so the low rainfall here isn’t a problem.
The passionflower is now spreading itself comfortably around a vine-covered arbour and helps to create a shady sitting-place. (Very much needed this year!) The vine is in need of a good haircut, so it may be tricky to avoid cutting the passionflower by mistake. Passionflowers grow fast, but I want it to get well established so that it isn’t simply smothered by the grape-vine.
(And if you’re wondering, yes, we do get edible grapes growing in the garden here in Suffolk. But only just! They’d probably be sweeter if I knew how to prune and look after the vine properly – that’s a project for the near future.)
For the past week or two, I’ve been happily photographing the newly-emerging flowers. They don’t last long, so you need to be quick to catch a flower that’s still fresh. And, in this garden, you need to be especially fast to get to the flowers before slugs or snails can take greedy chomps out of them. (They sometimes eat my clematis flowers too – nothing more annoying than finding that the beautiful flower you wanted to photograph has suddenly got a big hole in it!)
The flowers photographed outside have a freshness and elegance, particularly where they have a background of lush green leaves. However, to get close to the detail of the flower, I picked one and brought it into my little studio.
The flower was set on a small ‘light-table’ that’s lit from below, with a soft light coming from above. This shows up the difference between the heavier sepals that provide the outer protection to the flower while it’s still in bud and the thinner, more translucent inner petals. You can see that there is quite a lot of green in the sepals – much more than you’d think when you see the flower growing outside.
Well, I’m going to go and take some more passionflower photos. And I’m hoping that ‘Constance Elliot’ will survive the next winter and provide more lovely flowers (and the opportunity for more photographs). You can see my earlier post about passionflowers here.