As March comes to an end, gardens are filled with plants coming back to life. New flowers are opening every day, providing an exciting array of possible photographs. You can imagine, I’m sure, what a happy and busy time of year this is for me!
Among my favourite spring flowers to photograph are tulips. The variety of colours and the amazing markings that some of the flowers have make them an obvious subject for a picture. When you also take into account the different flower shapes and the sinuous way that the tulip stems bend, then you have all sorts of possibilities for different images, whether bold, graceful, or full-on pretty.
Tulips with coloured markings – the ‘feathered’ stripes, as in the top photo, or the more delicate veining of ‘orphanidea’ (above), can be especially lovely. These are the flowers that I look out for because they add a lot of extra interest to the photograph.
But the single-hued flowers are great too. These tulips, with their brilliant, saturated, colours and simple shapes help the photographer to make very bold, eye-catching images.
For next year, I’m planning to create a small bed for cut flowers that can be used for photography and tulips will be an essential addition to it. And for now, there are tulips in the garden that haven’t opened yet…I’m waiting!
Daffodils…right now they are everywhere. This week we had the first ‘official’ day of spring with the arrival of the spring equinox. And right on cue, there are daffodils opening their cheerful flowers in a welcome to the new season.
Out in the country here, there are daffodils growing on the roadside verges outside houses and farms. In town, they’re at the start of garden paths or close to the front door. It feels as if everyone has some daffodils growing in a position where they’ll be both a welcome to anyone coming to their houses and a greeting to passers-by.
Outside my front garden there is a large ‘green’ – a wide area of grass with trees that stretches between the main road and the minor road that serves the houses here. In springtime, swathes of daffodils enliven this green, creating a colourful welcome for drivers coming into the town.
In our own front garden, we have a group of miniature daffodils growing in one of the borders, but most of our daffodils are in the back garden. Seeing so many daffodils by other people’s front doors makes me feel that I should grow some more by the front path next year, as a welcome to visitors and to ourselves when we return home. (Maybe a pot of scented tazetta daffodils, such as ‘Geranium’ or ‘Paperwhite’ – they both have a delicious scent.)
The weather has been quite wild here over the last week – very windy and wet too. (A huge change from the spring-like sunshine of late February.) So there has been no chance for anything staying still enough to take photographs outdoors.
Luckily, I have some plants in pots that have been sitting in the conservatory while they’re waiting for the ground to dry out enough for them to be planted in the garden. (There’s been a lovely scent from the primulas and, I think, the tiny pansies in there – I’ll miss it when the plants do go outside.)
I took this pansy into my little studio space and set up my lights and a white background. It was only after I’d taken a few photos that I realised I had company…the unfortunate plant had become home to some greenfly. It’s amazing how much more you can see in a close-up photograph compared to just looking straight at something. Now I have some nice sharp shots of greenfly, but somehow I don’t think they’ll be very useful to me! It didn’t take long to dust the wee devils off with a soft artists’ paintbrush. (Usually it’s cat hairs that I have to brush off – they can be practically invisible until you look at the photo magnified on the PC monitor.)
You can see pansies planted all over the place at this time of year in the UK. They’re cheap to buy and easily available everywhere, so they do get pretty much taken for granted. But I do love the colours, especially the way they blend into each other, giving a soft, almost watercolour effect.
Having the plant indoors made it easy to keep the flowers still while they were being photographed. When you’re working outdoors, movement in the slightest breeze is a big problem with macro photography. The area of focus is so shallow that it takes very little to take your flower out of focus and, if you’re not watching carefully, it can be easy to miss the fact that the flower has moved.
Spending an afternoon indoors, taking photographs with plenty of light and being able to keep warm and dry felt like quite a luxury. However, there a flowers out in the garden that are still waiting for their chance to be photographed…so I’m hoping for some better weather next week!
Last week, I wrote about finding all the new stocks of plants coming into garden centres very tempting. So you may not be surprised to learn that I bought a few of them. (If you’ve been reading this blog for a little while, you will probably know me well enough by now to expect it!)
I tell myself that I have a great excuse, because I need something to photograph and there isn’t a lot available in the garden yet. And buying plants instead of cut flowers means I can grow them in the garden for the following years. Neat reasoning, eh? All the same, I’m glad that there are several plant nurseries nearby, so that I can buy reasonably-priced small plants rather than spending a fortune on larger plants elsewhere.
It’s interesting to see just how far advanced these plants that have been grown in large, heated glasshouses are, in comparison to garden plants. I have pinky-purple pasque flowers growing in the garden but they won’t be in flower for weeks yet. (Probably April or May.)
Pasque flowers like it in the garden here. The well-drained soil and open, sunny site suits them. It’s actually a native plant in the UK and East Anglia (which includes Suffolk, where I live) is one of the areas that it grows in. Sadly though, it’s rare as a wild plant now and you’re much more likely to see it growing in gardens. However, as a ‘local’ plant, they’re both drought-tolerant and wonderful for bees.
The flowers themselves are delightful to photograph – fresh, pretty and entirely charming. And then there’s the bonus of the rest of the plant being photogenic too. That’s because it’s so very hairy (and soft enough that you want to stroke it). All the soft little hairs that cover the finely-cut leaves, flower buds, and even the outside of the petals, help to give the plant a silvery appearance when they are caught in sunshine. Later the seed-heads become very ornamental, like some sort of silky, wildly fluffy pompoms. (My cats think they’re great fun for having a swift bat at with a paw!)
The pasque flower that I bought will no doubt be joined by others. (I have to wait for them to flower at the nursery, so that I can see what colour they are.) And I’m sure that a few hours will be spent photographing them…happy times!
As spring approaches, there are new stocks of plants coming into garden centres and other plant-sellers, such as supermarkets and market stalls. After winter, it’s a huge delight and an even bigger temptation to see all these fresh plants that are just waiting for us to buy them.
There are the usual bulbs – snowdrops, crocuses, irises and daffodils. And at the moment there seems to be a huge number of primulas (or primroses) everywhere, in just about any colour you might want. They glow brightly at you, flaunting their brilliance and offering themselves as a cheerful reassurance that spring must be almost here.
Like many others, I found myself wandering past these happy little plants, wondering which would be the most uplifting addition to the winter-weary borders in my own garden. Unexpectedly, I came across one that I haven’t seen before and which intrigued me much more than the gaudier varieties…a stripy-flowered primrose!
The primrose I bought turned out to be ‘Zebra Blue’. It has white petals which are veined with a wonderfully deep blue (which looks rather as if ink has been spilled onto the flowers and gradually crept along the veins). The deep orangey-yellow centres are the perfect contrast to offset the blue and make the flower very eye-catching indeed.
Most of the flowers and plants that I buy are seen as potential subjects for my photography. A flower with markings like these is an ideal source of inspiration for an afternoon spent experimenting with different compositions.
The prominent veining of the petals and the vibrant contrast of the centre of the flower makes this primrose a very bold subject. It’s easy to use the patterns produced by the veins to create a rather abstract feel. But, because some of the flowers have a more muted colouration, with much paler veining (sometimes becoming a lighter, more denim-blue), there is the option of creating a softer, more gentle image too. I have only just started exploring where this little flower may lead my photography and I reckon that I need to spend a few more hours in it’s company…what fun!